過(guò)于真實(shí)“the basis is Mary, Mother of Jesus. She is a virgin who gives birth, and dad is not there. He didn’t even do the fucking. He is in heaven. God is the father, and he did not show up. So you have to be perfect, and your husband can be a fucked up it’s does not matter. Mother will always be held to a different, higher standard.
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何為影像層面的想象力在《jazzjazzjazz日本成熟視頻》中林奇已為我們充分展示但當(dāng)它以如此完整有序的形式出現(xiàn)在面前時(shí)其威力則更無(wú)法想象在語(yǔ)氣間幾乎毫不費(fèi)力地跳躍切換說(shuō)它集齊了所有(我)對(duì)影視的審美點(diǎn)也不為過(guò):初心不改的小鎮(zhèn)疑云(or大城疑云)令人陣陣發(fā)笑的荒唐肢體喜劇瘋狂混亂的純粹影像實(shí)驗(yàn)或者是將“情懷用作武器般的圓夢(mèng)瞬間(E15)……本該割裂的卻密不可分地糅合統(tǒng)一在層層夢(mèng)幻(到底有多少真實(shí))的奇妙寫作中原本已有自信對(duì)文本進(jìn)行解讀看到尾聲時(shí)又被悉數(shù)打碎但這對(duì)我早已不像數(shù)年前初嘗林奇電影時(shí)重要:誰(shuí)又能說(shuō)Cooper終于又自信微笑著說(shuō)出那句I am the FBI時(shí)我們感到的喜悅與波浪不是真切的呢See it to believe it, 電影讓我們心甘情愿活在夢(mèng)里